my favorite band, and a a favorite song

EXPORT’s early guerilla performances have attained an iconic status in feminist art history. Tapp- und Tast-Kino (“Tap and Touch Cinema”) was performed in ten European cities in 1968-1971. In this avowedly revolutionary work, EXPORT wore a tiny “movie theater” around her naked upper body, so that her body could not be seen but could be touched by anyone reaching through the curtained front of the “theater.” She then went into the street and invited men, women, and children to come and touch her.

In her 1969 performance Aktionshose:Genitalpanik (Action Pants: Genital Panic), EXPORT entered a porn cinema in Munich with her hair in disarray, wearing crotchless pants, and carrying a machine gun. Striding up and down the rows of theatregoers, she brandished the weapon and challenged the male audience to engage with a “real woman” instead of with an images on a screen. Through these acts of artistic daring, EXPORT challenged the objectification of the female form by confronting voyeurs with a body that returned the gaze.

womanhouse installation 1973

Womanhouse (30 January - 28 February, 1972) was a women-only art installation and performance organized by Judy Chicago and Miriam Schapiro, co-founders of the California Institute of the Arts (CalArts) Feminist Art Program. Chicago, Schapiro, their students and artists from the local community participated. Chicago and Schapiro encouraged their students to use consciousness-raising techniques to generate the content of the exhibition. Each woman was given a room or space of her own in a 17-room mansion in Hollywood, California. [1]

(wish i could’ve found the video, but its $75 just to rent it)